- Meter
- 4/4
- Bars
- 2
Cm7 and F7 share the notes of C Dorian, whose raised 6th (A) is the 3rd of F7, so the vamp is really one mode over a moving bass. It’s a favourite of soul jazz, funk and Latin grooves. Practice C Dorian over both chords, then target Eb on the Cm7 and A on the F7 to bring out the change.
Reharmonize Analyze these changes
None of the usual substitutions apply: there are no dominant 7ths to replace and no whole steps to fill.