Tune Forms

16-Bar Form in F

A 16-bar form in two eight-bar halves: a statement that ends on V, and an answer that visits IV and the minor iv before cadencing home.

120 BPM
Practice in all 12 keys
  1. Bar 1: Fmaj7 Imaj7
  2. Bar 2: the bar before again, Fmaj7
  3. Bar 3: Gm7 ii7
  4. Bar 4: C7 V7
  5. Bar 5: Am7 iii7
  6. Bar 6: D7 VI7
  7. Bar 7: Gm7 ii7
  8. Bar 8: C7 V7
  1. Bar 9: Fmaj7 Imaj7
  2. Bar 10: F7 I7
  3. Bar 11: B♭maj7 IVmaj7
  4. Bar 12: B♭m7 iv7 E♭7 ♭VII7
  5. Bar 13: Am7 iii7 D7 VI7
  6. Bar 14: Gm7 ii7 C7 V7
  7. Bar 15: Fmaj7 Imaj7
  8. Bar 16: Gm7 ii7 C7 V7
Voicing family

Four-note rootless voicings in their two forms, with the 3rd or the 7th on the bottom, played over the root.

Customize each chord
Meter
4/4
Form
A-B
Bars
16

Many standards and jazz originals are 16 bars long, and a lot of them follow this outline: the first half wanders to a half cadence on V, then the second turns I7 into a dominant of IV, darkens to the minor iv with a backdoor ii-V, and comes home with a turnaround. Practice it as a template, and once its sound is in your ear, compare it with tunes you know.

Reharmonize Analyze these changes