Jazzity

Tune Forms

Bebop Rhythm Changes in F

Rhythm changes as bebop players play them: VI7 and iii-VI turnarounds in the A sections, a ii-V into IV in bar 5, and a ii-V on each dominant of the bridge.

120 BPM
Practice in all 12 keys
  1. F6 I6 D7 VI7
  2. Gm7 ii7 C7 V7
  3. Am7 iii7 D7 VI7
  4. Gm7 ii7 C7 V7
  5. Cm7 v7 F7 I7
  6. B♭7 IV7 Bdim7 ♯iv°7
  7. Am7 iii7 D7 VI7
  8. Gm7 ii7 C7 V7
  1. F6 I6 D7 VI7
  2. Gm7 ii7 C7 V7
  3. Am7 iii7 D7 VI7
  4. Gm7 ii7 C7 V7
  5. Cm7 v7 F7 I7
  6. B♭7 IV7 Bdim7 ♯iv°7
  7. Am7 iii7 D7 VI7
  8. Gm7 ii7 C7 V7
  1. Em7 vii7 A7 III7
  3. Am7 iii7 D7 VI7
  5. Dm7 vi7 G7 II7
  7. Gm7 ii7 C7 V7
  1. F6 I6 D7 VI7
  2. Gm7 ii7 C7 V7
  3. Gm7 ii7 C7 V7
  4. F6 I6
  5. Cm7 v7 F7 I7
  6. B♭7 IV7 Bdim7 ♯iv°7
  7. Am7 iii7 D7 VI7
  8. Gm7 ii7 C7 V7

Four-note rootless voicings in their two forms, with the 3rd or the 7th on the bottom, played over the root.

Customize each chord
Meter
4/4
Form
A-A-B-A
Bars
32
Usual key
Bb

With a new chord every two beats, the A sections become an almost continuous chain of ii-Vs, which is why the form is a test piece at jam sessions, usually fast and in Bb. Rhythm sections mix these changes with the original ones freely. Practice the A section in two-bar pieces, and the bridge as four ii-Vs falling in fifths.

Reharmonize Analyze these changes

Variations