- Meter
- 4/4
- Bars
- 4
The 5th of the chord climbs G, G#, A, Bb in C, so a held tonic turns into a dominant that wants to move to IV. It opens many standards and sets up bridges that start on IV. Practice it with the moving voice on top, then compare the minor line cliché, which falls instead.
Reharmonize Analyze these changes
None of the usual substitutions apply: there are no dominant 7ths to replace and no whole steps to fill.