Turnarounds

Minor i-vi-ii-V Progression

The I-vi-ii-V of a minor key: the minor i, a half-diminished vi and ii, and an altered V.

120 BPM
Practice in all 12 keys
Voicing family

Four-note rootless voicings in their two forms, with the 3rd or the 7th on the bottom, played over the root.

Customize each chord
Meter
4/4
Bars
2

The half-diminished vi (Am7b5 in C minor) comes from melodic minor; it keeps the tonic’s colour while starting a cycle of fifths, A, D, G, C. It ends many minor tunes and loops under minor vamps. Practice it with melodic minor on the i, Locrian #2 on the vi, Locrian on the ii and the altered scale on the V.

Reharmonize Analyze these changes