Tune Forms

32-Bar AABA Form in B

A typical 32-bar AABA song form: eight-bar A sections built from I-vi-ii-V and iii-VI-ii-V, and a bridge that moves to IV and comes back through II7.

120 BPM
Practice in all 12 keys
  1. Bar 1: Bmaj7 Imaj7
  2. Bar 2: G♯m7 vi7
  3. Bar 3: C♯m7 ii7
  4. Bar 4: F♯7 V7
  5. Bar 5: D♯m7 iii7
  6. Bar 6: G♯7 VI7
  7. Bar 7: C♯m7 ii7
  8. Bar 8: F♯7 V7
  1. Bar 9: Bmaj7 Imaj7
  2. Bar 10: G♯m7 vi7
  3. Bar 11: C♯m7 ii7
  4. Bar 12: F♯7 V7
  5. Bar 13: D♯m7 iii7 G♯7 VI7
  6. Bar 14: C♯m7 ii7 F♯7 V7
  7. Bar 15: Bmaj7 Imaj7
  8. Bar 16: the bar before again, Bmaj7
  1. Bar 17: F♯m7 v7
  2. Bar 18: B7 I7
  3. Bar 19: Emaj7 IVmaj7
  4. Bar 20: the bar before again, Emaj7
  5. Bar 21: G♯m7 vi7
  6. Bar 22: C♯7 II7
  7. Bar 23: C♯m7 ii7
  8. Bar 24: F♯7 V7
  1. Bar 25: Bmaj7 Imaj7
  2. Bar 26: G♯m7 vi7
  3. Bar 27: C♯m7 ii7
  4. Bar 28: F♯7 V7
  5. Bar 29: D♯m7 iii7 G♯7 VI7
  6. Bar 30: C♯m7 ii7 F♯7 V7
  7. Bar 31: Bmaj7 Imaj7
  8. Bar 32: the bar before again, Bmaj7
Voicing family

Four-note rootless voicings in their two forms, with the 3rd or the 7th on the bottom, played over the root.

Customize each chord
Meter
4/4
Form
A-A-B-A
Bars
32

Most standards written between the 1920s and the 1950s have this shape: a theme stated twice, a contrasting bridge, and the theme again. This chart is a generic skeleton rather than any one song, but its moves (a ii-V into IV at the bridge, a II7 leading back to ii-V) turn up everywhere. Practice keeping your place in the form: play through it counting bars, and listen for where each section begins.

Reharmonize Analyze these changes