Tune Forms

32-Bar AABA Form in G

A typical 32-bar AABA song form: eight-bar A sections built from I-vi-ii-V and iii-VI-ii-V, and a bridge that moves to IV and comes back through II7.

120 BPM
Practice in all 12 keys
  1. Bar 1: Gmaj7 Imaj7
  2. Bar 2: Em7 vi7
  3. Bar 3: Am7 ii7
  4. Bar 4: D7 V7
  5. Bar 5: Bm7 iii7
  6. Bar 6: E7 VI7
  7. Bar 7: Am7 ii7
  8. Bar 8: D7 V7
  1. Bar 9: Gmaj7 Imaj7
  2. Bar 10: Em7 vi7
  3. Bar 11: Am7 ii7
  4. Bar 12: D7 V7
  5. Bar 13: Bm7 iii7 E7 VI7
  6. Bar 14: Am7 ii7 D7 V7
  7. Bar 15: Gmaj7 Imaj7
  8. Bar 16: the bar before again, Gmaj7
  1. Bar 17: Dm7 v7
  2. Bar 18: G7 I7
  3. Bar 19: Cmaj7 IVmaj7
  4. Bar 20: the bar before again, Cmaj7
  5. Bar 21: Em7 vi7
  6. Bar 22: A7 II7
  7. Bar 23: Am7 ii7
  8. Bar 24: D7 V7
  1. Bar 25: Gmaj7 Imaj7
  2. Bar 26: Em7 vi7
  3. Bar 27: Am7 ii7
  4. Bar 28: D7 V7
  5. Bar 29: Bm7 iii7 E7 VI7
  6. Bar 30: Am7 ii7 D7 V7
  7. Bar 31: Gmaj7 Imaj7
  8. Bar 32: the bar before again, Gmaj7
Voicing family

Four-note rootless voicings in their two forms, with the 3rd or the 7th on the bottom, played over the root.

Customize each chord
Meter
4/4
Form
A-A-B-A
Bars
32

Most standards written between the 1920s and the 1950s have this shape: a theme stated twice, a contrasting bridge, and the theme again. This chart is a generic skeleton rather than any one song, but its moves (a ii-V into IV at the bridge, a II7 leading back to ii-V) turn up everywhere. Practice keeping your place in the form: play through it counting bars, and listen for where each section begins.

Reharmonize Analyze these changes